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​昨日重生
/Yesterday Once More/

Short Film - 3 Screens

15mins 0seconds

London

2021

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Click the image for the video of this project

《昨日重生》是带有一点乌托邦意味的作品 - 在赛博的世界里寻找一丝心灵的慰藉。人的心里总会有一些美好的念想无法实现,因此寄希望于借助未来的科技得以实现。与AI的结合,让人可以在记忆场景中自由多次地作出与现实所不同的选择与畅想,这算是一种怀念的方式,但同时这也无法改变真实的过去。即使拥有了回到过去的机会做出无所次选择都无法改变现实中已经发生的结果,这是我们认识中赛博带来的悲哀。

在某种程度上,科技可以让人逐渐淡生和死额边界,但这无关乎超越。意识或许有一天可以在赛博世界中永生,但那还是我吗?在跨越了肉身所带来的限制之后,意识本身转换为数据,某种意义上来说它还是我的一部分,但也已经不再是我了。我与这个世界无法再进行感官上的交流,而意识本身或许也只是基于数据形式下的一个复制的我。

现实世界中有美好与悲伤,虚拟世界就像一个乌托邦,人们会想要逃离现实而进入虚拟的世界,或许有一天这个界限会随着科技的发展而不断融合,但虚拟与现实交织相错的地方依然清晰并且无法被覆盖。界限或许会因为不断进步的科技而变得模糊,人们的心底却始终能看得到并且意识到这份差异。赛博世界里,人们没有任何限制地在虚拟空间中遨游,似乎遗忘了现实与虚拟的界限,但也从未遗忘,也无法遗忘。

然而在人们无法对过去做出任何改变的前提下,通过未来科技的协助我们所能够做出的畅想,也许可以让我们将这种记忆中的美好最大化,形成内心的慰藉,但这不是现实。

The short film <Yesterday Once More>, is based on the imagination of future Cyber world and advance technology, combine with the emotions existing in the current world. In the process of human development, man-made disasters are unable to prevent. Due to inability and despair in front of disasters, the company YOM in the Cyber world gives people the opportunity to go back to their memory again. 

The combination with AI allows people to freely make different choices and imaginations in their memory scenes. This can be regarded as a way of yearning, but at the same time, it cannot change the real past. Even if people have the chance to go back to the past to make multiple choices, they still cannot change the results that have occurred. This is the sorrow given by Cyborg from our understanding. 

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Exhibition at Simulacra - Sculpting Our Time: A Showcase of Moving Images

Prince Charles Cinema | London, UK

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Exhibition at Anren Biennale - Cyber Nostalgia -Coupling Symbiosis, Mansion Renewal 

Online Residential Exhibition, London | 2022

© 2022 by Ginny Gong & Nephelo Jiang. 

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